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How are we to think of works of art? Rather than treat art as an expression of individual genius, market forces, or aesthetic principles, Michael Jackson focuses on how art effects transformations in our lives. Art opens up transitional, ritual, or utopian spaces that enable us to reconcile inward imperatives and outward constraints, thereby making our lives more manageable and meaningful. Art allows us to strike a balance between being actors and being acted upon. Drawing on his ethnographic fieldwork in Aboriginal Australia and West Africa, as well as insights from psychoanalysis, religious studies, literature, and the philosophy of art, Jackson deploys an extraordinary range of references-from Bruegel to Beuys, Paleolithic art to performance art, Michelangelo to Munch-to explore the symbolic labor whereby human beings make themselves, both individually and socially, out of the environmental, biographical, and physical materials that affect them: a process that connects art with gestation, storytelling, and dreaming and illuminates the elementary forms of religious life.

Art and religion. --- Art --- Arts in the church --- Religion and art --- Religion --- Religious aspects

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Art and religion. --- Art --- Arts in the church --- Religion and art --- Religion --- Religious aspects

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In this broad historical and critical overview based on a lifetime of scholarship, James Alfred Martin, Jr., examines the development of the concepts of beauty and holiness as employed in theories of aesthetics and of religion. The injunction in the Book of Psalms to "worship the Lord in the beauty of holiness" addressed a tradition that has comprehended holiness primarily in terms of ethical righteousness--a conception that has strongly influenced Western understandings of religion. As the author points out, however, the Greek forbears of Western thought, as well as many Eastern traditions, were and are more broadly concerned with the pursuit of beauty, truth, and goodness as ideals of human excellence, that is, with the "holiness of beauty." In this work Martin describes a philosophical stance that should prove to be most productive for the dialogue between aesthetics and religion.Beginning with the treatment of beauty and holiness in Hebrew, Greek, and classical Christian thought, the author traces the emergence of modern theories of aesthetics and religion in the Enlightenment. He then outlines the role of aesthetics in the theories of religion proposed by Otto, Eliade, van der Leeuw, and Tillich, in the cultural anthropology of Geertz, and in the thought of Santayana, Dewey, Whitehead, Heidegger, and Wittgenstein. In a global context Martin explores the relation of aesthetic theory to religious thought in the traditions of India, China, and Japan and concludes with reflections on the viability of modern aesthetic and religious theory in the light of contemporary cultural and methodological pluralism.Originally published in 1990.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Art and religion. --- Aesthetics --- Art --- Arts in the church --- Religion and art --- Religion --- Religious aspects. --- Religious aspects --- Radio broadcasting Aesthetics

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Chaque année, un cycle de " Grandes Conférences " donne aux enseignants et aux étudiants du Studium de réfléchir ensemble, souvent grâce à des intervenants extérieurs, à des thèmes importants pour le dialogue de l'Église et du monde. Le cycle de l'année 2003-2004 s'est déroulé autour du thème : " Un artiste en quête de Dieu " et a donné le jour à ce recueil. " C'est un fait : depuis l'après-guerre 39-45, les hommes de bonne volonté se désintéressent de plus en plus de l'art contemporain, comme s'il ne les concernait plus réellement, comme s'il s'était définitivement refermé sur lui-même : ils en désertent les lieux d'exposition, les librairies et les salles de concert. Le discours a tellement envahi le champ esthétique qu'il a fini par être adopté par les artistes eux-mêmes, si bien que l'œuvre se présente le plus souvent comme le support d'un "dispositif théorique" aux couleurs variées. Comme on le verra dans les contributions ici rassemblées, une intense expérience esthétique peut être le préalable à une radicale perdition comme à une profonde conversion. De multiples discernements s'imposent alors, auxquels les chrétiens ont le devoir de s'exercer avec l'audace de l'Église des commencements, l'audace de l'Esprit qui précédera toujours la Lettre.

Christianity and art --- Art and religion --- Arts, Modern --- Modern arts --- Art --- Arts in the church --- Religion and art --- Religion --- Catholic Church and art --- Catholic Church --- Religious aspects